Compare Your Insurance

Monday, 26 October 2015

बिहार में बीजेपी के लिए RSS ने खेला दांव, नीतीश पर 2000 करोड़ के घोटाले का आरोप


मुख्यमंत्री नीतीश कुमार (फाइल फोटो)
बिहार चुनाव में नीतीश कुमार और महागठबंधन को हराने के लिए अब आरएसएस ने भी कमर कस ली है. ऐन वक्त पर आरएसएस ने बिहार के मुख्यमंत्री नीतीश कुमार पर 2000 करोड़ रुपये के घोटाले का आरोप लगाया है. आरएसएस से जुड़े हुए 'शिक्षा संस्कृति उत्थान न्यास' की ओर से लॉन्च की गई किताब में इस घोटाले का जिक्र किया गया है. इस न्यास के प्रमुख दक्षिणपंथी एजुकेशनलिस्ट दीनानाथ बत्रा हैं.
किताब में दावा किया गया है कि 1998-99 में अटल बिहारी वाजपेयी सरकार में केंद्रीय कृषि मंत्री रहते हुए नीतीश ने बड़ा घोटाला किया. 'भ्रष्टाचार का बोलबाला' नाम की यह किताब दो बार राष्ट्रपति अवॉर्ड से सम्मानित और ICAR के पूर्व सहायक निदेशक सदाचारी सिंह तोमर ने लिखी है. तोमर ने दावा किया है कि वह इस घोटाले के व्हिसिल ब्लोअर हैं. उन्होंने आरोप लगाया कि नीतीश ने कुछ अहम प्रोजेक्ट्स को शुरू करने के लिए वर्ल्ड बैंक से लिए गए 2000 करोड़ के लोन में हेरफेर किया.


AAP के पूर्व नेता ने लिखी है भूमिका
ICAR के पूर्व सहायक निदेशक ने कहा कि यह प्रोजेक्ट कृषि क्षेत्र में आधुनिकीकरण और बदलावों के उद्देश्य से शुरू किए जा रहे थे. इस किताब को बत्रा के अलावा योग गुरु बाबा रामदेव का भी समर्थन मिला है. इस किताब की भूमिका जाने-माने वकील और आम आदमी पार्टी के पूर्व नेता प्रशांत भूषण ने लिखी है.

जेडीयू ने सिरे से ठुकराए आरोप
घोटाले को लेकर जब जेडीयू प्रवक्ता केसी त्यागी से सवाल किया गया तो उन्होंने किताब की रिलीज और उस पर लगे आरोपों पर खुद ही सवाल खड़े कर दिए. त्यागी ने कहा कि बीजेपी को बिहार में वहीं परिणाम मिलेगा जो दिल्ली में मिला है. उन्होंने नीतीश पर लगे आरोपों को सिरे से खारिज कर दिया.

‪#‎Compare‬ Your ‪#‎Insurance‬‪#‎Choose‬ Best ‪#‎Plan‬ As Per Your ‪#‎Need‬ -: For More Detail: ‪#‎Visit‬ the ‪#‎Website‬ : www.insuringindia.com , and ‪#‎Call‬Us : 0124-4745000,



Sri Lanka to Release 86 Tamil Nadu Fishermen on October 28

CHENNAI:  Eighty-six Tamil Nadu fishermen, who were arrested by the Sri Lankan Navy in the past two months, would be released on October 28, the state government said today.

The state government would also release two Sri Lankan fishermen in its custody on the same day, it said.

"The Union government has informed that Sri Lanka would release 86 fishermen (hailing from Tamil Nadu) on October 28," an official release said.
Chief Minister Jayalalithaa has ordered all steps to bring them back.

The release of fishermen was the outcome of Jayalalithaa's "continuous efforts", the release said.

The Tamil Nadu fishermen belong to Nagapattinam, Pudukottai, Tuticorin and Ramanathapuram districts were arrested and lodged in jails in Sri Lanka between September 22 and October 14 this year.

"They were apprehended while fishing in their traditional fishing areas of Palk Bay and Gulf of Mannar," the release said.

Following this, Ms Jayalalithaa took up the issue strongly with the Centre. She had written seven letters to Prime Minister Modi seeking his intervention at the highest political level with Sri Lanka for the release of the fishermen.

‪#‎Compare‬ Your ‪#‎Insurance‬‪#‎Choose‬ Best ‪#‎Plan‬ As Per Your ‪#‎Need‬ -: For More Detail: ‪#‎Visit‬ the ‪#‎Website‬ : www.insuringindia.com , and ‪#‎Call‬Us : 0124-4745000,

Friday, 23 October 2015

In village where Madhubani paints, art and Nitish Kumar smile at each other

In an election where caste determines most allegiances, a little deviation comes from a Brahmin household that is widely considered the first family of Bihar’s acclaimed Madhubani painters. Every member of the family is a fan of Nitish Kumar. “Hum kalakar hain. As artists, we have no connection to politics,” said Mithilesh Jha, grandson of legendary Madhubani painter Sita Devi. “But we appreciate politicians who show respect for art.”


The reason for such a sentiment is spread across the landscape around this village, which lies off the road that connects Madhubani town with Raj Nagar. Along a narrow paved road that winds through small villages, tiny shops in woodsheds spread out their goods like decorative items. A left turn at Lehriaganj and half a kilometre farther take one to Jitwarpur, where artists live in several tiny lanes that branch out of the road. Mithilesh Jha stood outside his two-storey brick-and-concrete house that opens on the street. “Nitishji is the first chief minister who came looking for us. He visited in January 2012, walked around the village, and asked us how we were,’’ he said. “The concrete lane you see used to be full of dirt. It was laid only after Nitishji’s visit.” His elder brother Lalan said, “Nitishji also got a house worth Rs 1 crore made.” He was talking about a museum. “The Bihar government built a vishvavidyalaya for Madhubani paintings,” Mithilesh added. Inside the house is a room where Sita Devi’s achievements — Padma Shri, Bihar Ratna, national and other awards — are on display. Next to a bed stands a blue desk, on which Mithilesh paints. A space carved in a wall is for the gods, which in itself is a colourful Madhumati painting. And from a picture on the wall, Nitish Kumar looks at Sita Devi’s awards. “This picture was taken in this room,” Mithilesh said. “There are around 300 artists in this village. Nitish went to the Dalit basti too and met the family of Jamna Devi, who is another national-award winner.” Jitwarpur is part of Bisfi constituency, where the grand alliance has fielded Dr Fayaz Ahmad of the RJD. Mithilesh described Fayaz as a good leader who has contributed to the education sector. “He runs the best school in Madhubani and is starting a medical college now. He will win,” Mithilesh said. His younger brother Bimlesh is not as confident. “There is a contest,” he said. “Fayaz is a good candidate but Bachool Thakur, who was with the JD(U), would have been a certain winner. I feel he should have got the party ticket.” Mithilesh and Bimlesh are among five brothers and a sister. “Three of us are artists,” Mithilesh said. “And it is all because of our Dadi. She didn’t teach just us, she taught most of the women in the village, and many became well-known artists.” The tradition Mithilesh described how the family tradition started. “Our grandmother was born in a village in Saharsa. She was the daughter of a landlord,” he said. “When she was a child, potters would come to her home to make idols of Lord Krishna and Radhaji and would then paint them. They would leave some paint behind and our grandmother would use that to paint on the walls,” he added. “Such paintings were done on the walls of our homes for ages. It was a ritual and had religious significance.” Sita Devi arrived in Jitwarpur after getting married. “My grandfather was very poor. He was a pandit and had very little land. My grandmother continued doing paintings on the walls here.” He described how the artform expanded from walls to paper. Following a major earthquake in the 1950s, a central government official, Bhaskar Kulkarni, arrived with relief for the village and find ways to help artists here, Mithilesh said. “He had heard about my grandmother. he had gone to a relative’s home to paint a wall with other women of the village, and Kulkarni went there. Those days, the concept of untouchability was still prevalent. So when the people saw a bearded man looking intently at my grandmother’s painting on the wall, they started beating him up,” he said. “This is when my father, who was a schoolteacher, arrived. Kulkarni explained the reason for his visit, and my father took him home. Kulkarni convinced my grandmother and other women in the village to start painting on paper.” Sita Devi died in 2005 at the age of 92. She had introduced what is called the Bharni style of Madhubani paintings. “Before her death, she had become an ambassador of Madhubani paintings,” Mithilesh said. “The art was initially restricted to Brahmin households, but my grandmother taught every villager who came to her. The artists who make Madhubani paintings today are from every jati. If you walk around this village, you will find artists everywhere,’’ he said. “Sita Devi was called mother by everyone in the village”. In the family, Mithilesh said his wife Neera Devi and his brothers’ wives Mamata Devi and Chanda Devi do Madhubani paintings. “My uncle’s wife Amla Devi too paints,” he said. Wish list “Madhubani paintings gave Bihar a name across the world but it is brokers and not the artists who are running the show now,” Bimlesh said. “If you look at the stalls in Pragati Maidan or Dilli Haat that display Madhubani paintings, you will find that it is the broker who is in control and reaping the benefits. The artists get very little. Besides, these brokers sell fakes, which affects us.” The family rebuilt the house recently. “It wasn’t done with the earnings from our work. Our father retired as a teacher and he paid from his gratuity,’’ Mithilesh said. “We sell these paintings at Rs 300 to Rs 600. But if you go to a stall in Delhi, you will find them very expensive.” He made it clear that they have put their faith in Nitish, not the grand alliance he is the face of. “We have no wish to see Lalu’s time again. Those were very bad days,” Mithilesh said. “But nobody can question Nitish Kumar’s work. He did a lot as chief minister; he did a lot for this village too… “We wish the new government helps this art. Kalakar ki madad ho toh achcha hoga.” - See more at: For Read More 

Bye bye achche din, hello again bure din: PM Modi sings old tune at Mathura rally

Achche din is out, bure din is in.
The semantic shift in Prime Minister Narendra Modi’s anniversary day speech is a clear indicator of what he is comfortable talking about: the past. The future, at the moment, is a no-go area for Modi.
Addressing a large gathering near Mathura, Modi spent most of the time comparing his government’s performance with that of the UPA. “No corruption, no scam, no power-centre, low inflation, a hard-working PM,” Modi listed the differences. “Haven’t the bure din (bad days) gone?” he asked, summing up his achievements.
Prime Minister Narendra Modi addressing a rally in Mathura. PTIPrime Minister Narendra Modi addressing a rally in Mathura. PTI
Modi is a smart communicator. He knows the absence of bure din doesn’t automatically imply that achche din are here. And, in a rare show of political honesty, he is not claiming what he hasn’t delivered yet. But he is telling the impatient voter, waiting for the promised good days, that at least he is not suffering in the Modi raj. That’s Modi’s way of advising people to count their blessings not his promises.
It isn’t a bad strategy. Reminding people of the jumlas from the heady days of the campaign would have pitted Candidate Modi against PM Modi. It would have been a lopsided contest, and Candidate Modi would have won with a first-round knockout of PM Modi. But the UPA is still a convenient punching bag. And since it was the first anniversary of the end of UPA too, Modi had every right to remind people how lucky they are to have gotten rid of that horrible government. (Though, he is smartly repackaging and recycling some of UPA’s original ideas and struggling to roll out some of his own).
Next year when he celebrates his government’s second anniversary, Modi will not have the luxury of talking about the UPA’s failures. By then, the Manmohan Singh government would have become a distant memory and the only comparison Modi will be allowed to make is with his promises. In another year we will know what has been the impact of his Swacch Bharat campaign, the Jan Dhan Yojana, NDA’s social security schemes, frequent foreign visits and appeals for making it in India. He would have made decent progress on some of his own unfinished agenda and would have added a few more tangible achievements to his report card. But that day is still a year away and till then Modi should be allowed to slip back into the skin of a former opposition leader to divert attention from the incumbent PM.
ALSO SEE
PM Modi, BJP have a strategy of polarising the country: Rahul Gandhi on Dadri lynching
PM Modi, BJP have a strategy of polarising the country: Rahul Gandhi on Dadri lynching
Sack and send VK Singh to jail for anti-Dalit remark, says Mayawati
Sack and send VK Singh to jail for anti-Dalit remark, says Mayawati
Dadri lynching: It was because of UP govt's inefficiency, says Najma Heptulla
Dadri lynching: It was because of UP govt's inefficiency, says Najma Heptulla


The other important take-away from the PM’s speech was his frequent use of the F word. The number of times the PM mentioned farmers in his speech was an apt indicator that Modi is trying to counter the Congress propaganda that his government is suit, boot ki sarkar and doesn’t care much for the poor and the rural population.
Modi must have realised that he needs a quick image makeover to ensure that the Congress is not able to penetrate deep into rural India and win back the attention of the poor and the underprivileged with its new line of attack. So, he talked about his schemes for farmers, initiatives to make their farms better, easy availability of urea and also threw in some barbs about the culpability of the Congress for the suicide of farmers before he became the PM. But, there was not a word on the controversial Land Acquisition Bill, seen as anti-farmer. Don’t be surprised if Modi revisits the entire controversy and beats a tactical retreat from his current intractable position to continue positioning himself as pro-farmer.

A year ago, Modi’s speeches were all about grand ideas, alliterations and focus on his urban constituency. Smart cities, bullet trains, management mantras—5Ps, 3Cs, 4Ds etc—would have formed the core of his speech. But, Modi is convinced that this constituency is still solidly behind him. He is, instead, focusing his energy on addressing the section he could lose to rivals. From the darling of India, Modi is now trying to become the messiah of Bharat.
It wasn’t mere coincidence that he chose western UP to launch his anniversary bash instead of addressing the media from a posh office in Lutyen’s Delhi. Both, the venue and the speech, indicated that in its second year the ‘suit, boot ki sarkar’ will work for the aam aadmi in the farms and distant towns of India.